Startsida
Hjälp
Sök i LIBRIS databas

     

 

Sökning: onr:w9r1pdm2tcdhgsfp > The day may break /

The day may break / Nick Brandt ; [text: Yvonne Adhiambo Owuor, Nick Brandt, Percival Everett ; redaktör: Nadine Barth].

Brandt, Nick, 1966- (fotograf)
Owuor, Yvonne Adhiambo (writer of supplementary textual content.)
Everett, Percival (writer of supplementary textual content.)
Barth, Nadine, 1964- (redaktör/utgivare)
Fahey/Klein Gallery (creator_code:his_t)
Atlas Gallery (London, England) (creator_code:his_t)
Custot Gallery (Dubai, United Arab Emirates) (creator_code:his_t)
Oslo Negativ, Det Gamle Biblioteket (Oslo, Norwary) (creator_code:his_t)
Source Photographica (Melbourne, Australia) (creator_code:his_t)
Edwynn Houk Gallery (creator_code:his_t)
Polka Galerie (Paris, France) (creator_code:his_t)
ISBN 9783775750899
Publicerad: Berlin, Germany : Hatje Cantz, [2021]
Copyright: ©2021
Engelska 166 sidor
  • Bok
Innehållsförteckning Sammanfattning Ämnesord
Stäng  
  • The day may break : introduction / by Nick Brandt -- To earth : a yearning : foreword / by Yvonne Adhiambo Owuor -- Main plates -- My life is like a ripened banana : survivors, their past and present -- The acoustic album : the making of The Day May Break / by Nick Brandt -- Afterword / by Percival Everett -- How you can help -- Thank you.
  • "'The Day May Break' was photographed in Zimbabwe and Kenya in late 2020. It is the first part of a global series portraying people and animals that have been impacted by environmental degradation and destruction. The people in the photos have all been badly affected by climate change--some displaced by cyclones that destroyed their homes, others such as farmers displaced and impoverished by years-long severe droughts. The photographs were taken at five sanctuaries/conservancies. The animals are almost all long-term rescues, victims of everything from the poaching of their parents, to habitat destruction and poisoning. These animals can never be released back into the wild. As a result, they are habituated, and so it was safe for human strangers to be close to them, photographed so close to them, and photographed in the same frame at the same time. The fog is the unifying visual. We increasingly find ourselves in a kind of limbo, a once-recognizable world now fading from view. Created by fog machines on location, this often renders the animals almost a dream, or a memory of what the people once experienced in their lives. It is also an echo of the suffocating smoke from the wildfires, driven by climate change, devastating so much of the planet. However, in spite of their loss, these people and animals are the survivors. And therein lies possibility and hope."--Front jacket flap. 

Ämnesord

Fotoutställningar  (sao)
Porträttfotografi  (sao)
Djur  (sao)
Portrait photography  (LCSH)
Animals  (LCSH)
Östafrika  (sao)

Genre

Pictorial works.  (fast)

Personnamn

Brandt, Nick, 1966- -- Utställningar
Brandt, Nick, 1966-

Indexterm och SAB-rubrik

I Konst, musik, teater och film

Klassifikation

TR729.W54 (LCC)
779.32092 (DDC)
Inz Brandt, Nick (kssb/8)
Inställningar Hjälp

Titeln finns på 1 bibliotek. 

Bibliotek i Mellansverige (1)

Ange som favorit
Om LIBRIS
Sekretess
Hjälp
Fel i posten?
Kontakt
Teknik och format
Sök utifrån
Sökrutor
Plug-ins
Bookmarklet
Anpassa
Textstorlek
Kontrast
Vyer
LIBRIS söktjänster
SwePub
Uppsök

Kungliga biblioteket hanterar dina personuppgifter i enlighet med EU:s dataskyddsförordning (2018), GDPR. Läs mer om hur det funkar här.
Så här hanterar KB dina uppgifter vid användning av denna tjänst.

Copyright © LIBRIS - Nationella bibliotekssystem

 
pil uppåt Stäng

Kopiera och spara länken för att återkomma till aktuell vy