Experimental arts in postwar Japan : moments of encounter, engagement, and imagined return / Miryam Sas.

• Introduction: death acts (survival acts) -- Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment -- Terayama Shuji: gender, power, and the imperative voice -- Blindness and the visuality of desire -- Intersubjective spaces, communal dreams -- Theories of encounter. Theories of encounter: breaking the everyday -- Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings -- On homecoming: Hijikata's writings and Buto -- Provoke era: new languages of Japanese photography -- Conclusion: counterfeit coins, phantasms.

Ämnesord

Japansk konst  (sao)

Arts, Japanese  -- 20th century. (LCSH)

Avant-garde (Aesthetics)  -- Japan. (LCSH)

Art, Japanese  (LCSH)

1900-talet  (sao)

Klassifikation

700.952/09046 (DDC)

I (kssb/8 (machine generated))