The sensuous in the Counter-Reformation church / edited by Marcia B. Hall, Tracy E. Cooper.

• Machine generated contents note: 1. Introduction Marcia B. Hall; 2. The sensuous: recent research Tracy E. Cooper; 3. Trent, sacred images, and Catholics' senses of the sensuous John W. O'Malley; 4. The world made flesh: spiritual subjects and carnal depictions in Renaissance art Bette Talvacchia; 5. How words control images: the rhetoric of decorum in Counter-Reformation Italy Robert Gaston; 6. Custodia degli occhi: discipline and desire in post-Tridentine Italian art Maria Loh; 7. Raffaelle Borghini and the corpus of Florentine art in an age of reform Stuart Lingo; 8. Censure and censorship in Rome ca. 1600: visitation of Clement VIII and the visual arts Opher Mansour; 9. Painting virtuously: the Counter-Reform and the reform of artists' education in Rome between guild and academy Peter Lukehart; 10. Carlo Borromeo and the dangers of lay women in church Richard Scofield; 11. 'To be in heaven': Saint Filippo Neri between aesthetic emotion and mystical ecstasy Costanza Barbieri; 12. Rebuilding faith through art: Christoph Schwarz's altarpiece for the new Jesuit school in Munich Jeffrey Chipps Smith; 13. 'Until shadows disperse': Augustine's twilight Meredith Gill; 14. A machine for souls: allegory before and after Trent Amy Powell.

• "This book examines the promotion of the sensuous as part of religious experience in the Roman Catholic Church of the early modern period"-- 
• "This book examines the promotion of the sensuous as part of religious experience in the Roman Catholic Church of the early modern period. During the Counter-Reformation, every aspect of religious and devotional practice was reviewed, including the role of art and architecture, and the invocation of the five senses to incite devotion became a hotly contested topic. The Protestants condemned the material cult of veneration of relics and images, rejecting the importance of emotion and the senses and instead promoting the power of reason in receiving the Word of God. After much debate, the Church concluded that the senses are necessary to appreciate the sublime, and that they derive from the Holy Spirit. As part of its attempt to win back the faithful, the Church embraced the sensuous and promoted the use of images, relics, liturgy, processions, music, and theater as important parts of religious experience"-- 

Ämnesord

Motreformationen i konsten  (sao)

Kristendom  (sao)

Sinnen och förnimmelser  -- religiösa aspekter (sao)

Counter-Reformation in art.  (LCSH)

Counter-Reformation.  (LCSH)

Senses and sensation  -- Religious aspects -- Christianity. (LCSH)

HISTORY / Renaissance.  (bisacsh)

Christianity  (LCSH)

Klassifikation

704.9/482088282 (DDC)

HIS037020 (bisacsh)

Ibvz (kssb/8 (machine generated))