Idols and museum pieces : the nature of sculpture, its historiography and exhibition history 1640-1880 / Caroline van Eck (ed.).
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Eck, Caroline van (redaktör/utgivare)
- ISBN 9783110406917
- Publicerad: Berlin ; De Gruyter ; [2017]
- Copyright: ©2017
- Engelska 291 pages
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Serie: Kunst und Wirkmacht = Art and agency
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Serie: Studien aus dem Warburg-Haus, 99-3071710-2 ; Band 17
Innehållsförteckning
Sammanfattning
Ämnesord
Stäng
- Introduction / Caroline van Eck -- Sculptures in print : the 'Galleria Giustinian' as exemplar and agent of taste / Erin Downey -- The Amsterdam ivories of Francis van Bossuit : reception and transformation in the eighteenth century / Frits Scholten -- La sculpture comme source historique : les dessins de la collection de François-Roger de Gaignières (1642-1715) / Anne Ritz-Guilbert -- Sculpture in pieces : Peter Paul Ruben's 'Miracles of Francis Xavier' and the visual tradition of broken idols / Anna C. Knaap -- Medusa's terror in the Amsterdam Town Hall : how to look at sculptures in the Dutch Golden Age / Stijn Bussels -- 'Admirari vel deridere' : Calvinistic approaches to classical sculpture in the Netherlands / Ruurd Halbertsma -- Allegory, ornament, and prehistory's 'secret influence' : D'Hancarville versus Winckelmann / Hans Christian Hönes -- Baron D'Hancarville's 'Recherches' on the evolution of sculpture : submerged emblems and the collective self / Tomas Macsotay -- 'Ut sculptura theatrum' : on the relation between theatre and sculpture in the late eighteenth century / Bram van Oostveldt -- Plaster 'versus' marble : Wihlem and Caroline von Humboldt and the agency of antique sculpture / Pascal Griener -- How does an idol enter a museum? : immersion and aesthetic autonomy at the Musée Charles X in the Louvre / Caroline van Eck -- La présentation du 'paragone' dans les dispositifs muséaux au XIXe siècle / Cecilia Hurley -- Idoles de l'Île de Nias : origines d'un entichement muséal / Thomas Beaufils.
- The publication of Winckelmann's Geschichte der Kunst des Altertums in 1764 is considered as the defining moment in the genesis of the modern, scientific study of sculpture. It was a formalist and secular history, concentrating on the statue as a work of art, and studying sculpture in a museum setting, abstracting from its original religious, social or political functions. Other 17th- and 18th-century authors tried to understand those functions and why statues so often excited violent reactions ranging from adoration to abuse. The collection of essays aims to be a first investigation of the questions that arise out of an awareness that the origins of the Western historiography are much more complex than may appear from the perspective of Winckelmann's vision of the Graeco-Roman tradition.
Ämnesord
- Konsthistorieskrivning (sao)
- Kuratorer (museer) (sao)
- Skulptur -- historia (sao)
- Idols and images. (LCSH)
- Sculpture -- Exhibitions -- History. (LCSH)
- Sculpture -- Historiography. (LCSH)
- Museums -- Curatorship. (LCSH)
- Idols and images. (fast)
- Utställningar -- historia (sao)
- Museums -- Curatorship. (fast)
- Sculpture -- Exhibitions. (fast)
- Museum curators (LCSH)
- 1600-talet (sao)
- 1700-talet (sao)
- 1800-talet (sao)
Genre
- History. (fast)
Indexterm och SAB-rubrik
- Ic:k Arkitektur: historia
Klassifikation
- NB1145 (LCC)
- NB (ämneskategori)
- 069 (DDC)
- Ic:k (kssb/8)
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