I know that you know that I know : narrating subjects from Moll Flanders to Marnie / George Butte.

• Theory. Starting over: intersubjectivity and narrative -- Representing deep intersubjectivity: narrative practices. Case studies: deep intersubjectivity and genre. Comedy, film and film comedy -- Deep intersubjectivity and the subversion of comedy -- Deep intersubjectivity and masquerade.

• "In I Know That You Know That I Know, Butte explores how stories narrate human consciousness. Butte locates a historical shift in the representation of webs of consciousnesses in narrative - what he calls "deep intersubjectivity"--And examines the effect that shift has since had on Western literature and culture. The author studies narrative practices in two ways: one pairing eighteenth- and nineteenth-century British novels (Moll Flanders and Great Expectations, for example), and the other studying genre practices - comedy, anti-comedy and masquerade - in written and film narrative (Jane Austen and His Girl Friday, for example, and Hitchcock's Cary Grant films)."--Jacket. 

Ämnesord

Intersubjektivitet i litteraturen  (sao)

Medvetandet i litteraturen  (sao)

Narratologi  (sao)

Intersubjektivitet  (sao)

Engelsk litteratur  -- historia (sao)

Amerikansk litteratur  -- historia (sao)

Film  -- historia (sao)

Intersubjectivity in literature.  (LCSH)

Consciousness in literature.  (LCSH)

Narration (Rhetoric)  (LCSH)

Intersubjectivity.  (LCSH)

Psychological fiction, English  -- History and criticism. (LCSH)

Psychological fiction, American  -- History and criticism. (LCSH)

Motion pictures  -- History. (LCSH)

Intersubjectivity  (LCSH)

Consciousness in literature  (LCSH)

Narration (Rhetoric)  (LCSH)

Genre

Psykologiska skildringar  (saogf)

Klassifikation

PR830.P75 (LCC)

823/.08309 (DDC)